.png)
Residencies
Artistic Residency Program in Bogotá
Sonorama
Paula Guersenzvaig
Painting, Drawing, Music, Installation, Sculpture, Electronic Arts, Photography, Video Art
Sonorama is a research and production platform for Arts and Technologies, functioning as both physical space and conceptual framework. It focuses on developing performative, object-based, and installation proposals while specializing in exhibition design and project documentation.
Intalaciones
Electronics Equipment
Tin soldering stations with stands, magnifying lenses with lights, adjustable power supplies, protoboards, assorted cables, connectors, alligator clips, desoldering pumps, micro-pliers, multimeters
Material Cutting & Handling Tools
Table saw and miter saw, jigsaws, heat gun, inverter welder with protective mask, rotary tools (Dremel), bench drill press, high-power drill, cordless drill, sanders, glue guns
Hand Tools
Wire strippers, screwdrivers, hammers, pliers, adjustable wrench, utility knives, measuring tape, etc.
AV Equipment
2 KRK RP5 G4 monitor speakers
12-channel audio mixer
17-inch monitor
Mini-projector
Lighting equipment
Audio and computer cables
Horarios
Monday to Sunday, 8 AM to 10 PM
Artistas del espacio
Paula Guersenzvaig
Artist, researcher, and educator. Academic coordinator of the Master's in Technology and Aesthetics of Electronic Arts at UNTREF. She provides guidance in artistic research, production, installation design, and curation for exhibitions and events across various techno-poetic research/production collectives (Sonorama, Casa Nubera, R.A.R.O., ESPACIO 404, Geopoéticas subalternas, HICCUP). Her artistic practice investigates sound's material dimension and its relationship with perceptual and sociocultural environments, taking form through situated actions, artifacts, and installations. Her work has been featured in art centers and museums, with support for projects and residencies nationally and internationally.
Marlin Velasco
Sound and electrotextile artist, educator, and researcher at UNTREF. Holder of a degree in Plastic Arts with a sculpture specialization, her work engages sound art, new technologies, and soft media—exploring how their intersection generates new spatial possibilities through sound, listening, and abstraction. She develops independent and commissioned works while facilitating technological processes. Member of the Subaltern Geopoetics Laboratory (UNTREF) and collectives SONORAMA and Electrohacedoras.